Poor Things

A feminist version of Frankenstein. I think yes. And the dialogue, so very pleasing - a kind of Yoda like Shakespearean seesaw. Yes, yes. No ordinary film at all, this was. A wonderous wowing. Emma Stone plays Bella Baxter, a woman brought back from the dead with an infant brain by her mad scientist father, God (Willem Dafoe). Bella is a child in an adult body (Think "Big," "Edward Scissorhands," "13 Going on 30," etc.) and grows exponentially smarter, learning fine motor skills, language, and human anatomy. Bella soon discovers her vagina and the pleasures it can bestow. Before Bella marries God's assistant, she goes off to explore the world with scallywag Duncan Wedderburn (Mark Ruffalo), to discover, sex, food, the injustices of the world, and the cruelty of many men. "Poor Things" is a raunchy and wild comedic ride and I loved every minute of it. From the opening and closing credits, the sets, the costumes, the music, this film is overflowing in artistry. The costumes are something of a hybrid from "The Hungry Games," "Moulin Rouge!" and "Brazil" - shoulder pads from the 80s, on steroids. The set pieces are art nouveau architecture soaked in pastel colouring out of the Florida Keys. Then the MUSIC! Oh wow. Not since last year's "All Quiet on the Western Front" have I heard something so original. Director Yorgos Lanthimos has sewn these pieces together to give us a monstrously great film, one of the year's best. Catch it now in theatres.