There have only been a dozen zombie films I've enjoyed in the last two decades: Zack Snyder's remake of "Dawn of the Dead," his "Army of the Dead," George A. Romero's "Land of the Dead," "It Stains the Sand Red," Alex Garland's "28 Days Later" and Jim Jarmusch's "The Dead Don't Die." "Word War Z" was just okay for me. Last year we got "The Sadness" and "Virus-32" - both solid zombie entries.
I haven't gotten into the new "Resident Evil" series. I confess, I enjoyed the first film and the last one, "Welcome to Racoon City;" the rest, not so much.
I had abandoned all hope there would ever be anything as good as "The Walking Dead" again on TV. I would just have to wait for the next film to arrive. Then, over the Christmas holiday season, by accident, I stumbled upon "Black Summer." I'm once again giddy, like I was when "The Walking Dead" first came out. Oh yes. Oh yes.
Kathryn Bigelow created one of the greatest on foot chase sequences in the history in "Point Break." Throughout several episodes, I thought, this is something Kathryn Bigelow would be proud of. "Black Summer" has some of the greatest foot chases I've ever seen on screen. It also some of the greatest camera work I've ever seen. "Look at this shot!" - me screaming at the TV. No really.
The show is atmospheric, moody, dark. It has a minimalistic score that sounds like it was influenced by John Carpenter. When we get to the second season, the zeitgeist of "The Thing" feels omnipresent. Without any huge stars attached (but everyone here is bloody brilliant) this gritty, dark, zombie series ranks up there as one of the best horror series every made. It's slated for a third season. Catch it on Netflix.
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