The Odyssey

Christopher Nolan has yet to make a horrible film. Tenet might be the closest thing, followed by the bookending Batman films (the first and the third). His track record is, for the most part, glorious and Hollywood has him and Greta Gerwig to thank for bringing people back to movie theatres post-pandemic - "Barbenheimer." So, has Nolan finally flown too close to the sun and had his wings melted off? Hell no. The King has returned; rejoice! The Odyssey is a spectacle, a kind of Peter Jackson The Lord of the Rings spectacle. With a runtime of close to three hours (hobbits and cyclopes always add at least 45 minutes), time flew by. As I said, it's a spectacle, and Nolan filmed everything in IMAX, not just selected battle scenes, I mean everything. I couldn't care less. I didn't see it in IMAX (I don't believe we have a true IMAX screening room in Ottawa - something close is the Scotiabank, but it's not a true IMAX screen). Whatever. Audiophiles who are super into their stereo systems end up listening to the equipment rather than the music. That's how I feel about IMAX. It has nothing to do with why I go to the movies. I'm there for an emotional experience, not a carnival ride. You don't need to see it in IMAX to enjoy it. So, what's it all about? Matt Damon plays Odysseus. After kicking ass at Troy, he just wants to go home. It takes him a good long time to get there. It's a road movie. Tom Holland plays Telemachus, Odysseus' son, who at one point goes looking for the old man. Anne Hathaway is Penelope, the wife and mother who is waiting patiently while suitors vulture about, waiting to take her hand in marriage, assuming Odysseus has kicked the bucket. Hats off to John Leguizamo as Eumaeus, the old blind and loyal servant - I loved him in this. So put your oars into the water and paddle over to your local theatre and have yourself a great old adventure. Rent it from Movies 'N Stuff when it becomes available. 

The Invite

It could be a play. It wouldn't surprise me if it was done as a play. Also, I didn't know when I watched it that it's actually a remake of the 2020 Spanish film The People Upstairs by Cesc Gay, who adapted it from his own stage play. So it was a play! And the thing about plays is that they usually have great dialogue. And they often take place in small settings. In this case, a San Francisco apartment. Joe (Seth Rogen) and Angela (Olivia Wilde) have been married a good long while, have a teenage daughter, and have been kept awake by the wild escapades of the neighbours above. Angela invites Piña (Penélope Cruz) and Hawk (Edward Norton) over one night for drinks and some food. Joe wants to have it out with them for making all the sex racket upstairs. Turns out Hawk and Piña have their own agenda too. If you told me that Woody Allen had made it, I would believe you. It's foremost a comedy, but there is something deeper here. At times, poignant. It touches on the desires of couples who have been together for a long time and know each other, know each other's weaknesses and shortcomings. At times there is brutal honesty. There are lots of truths you may relate to, especially if you have been in a long-term relationship. Pain, resentment, fears, guilt, and facing one's own failures get paraded about in Angela's warmly decorated apartment. It reminded me of His Three Daughters (a great film from 2024) but with different themes; that was about siblings and their relationship with their father. The Invite is about relationships between long-term couples, but the candour and humour of the former film feel similar, and it is also set in an apartment. Both have great dialogue. Make sure to accept your invitation to the party and catch it in theatres now at the ByTowne and The Mayfair, or rent it from Movies 'N Stuff when it becomes available. 

The Twister: Caught in the Storm

I'm always down to watch a disaster movie. A lot of them are pure fiction with some small foothold rooted in science: Twister, Twisters, and San Andreas. Some are based on true events: The Impossible, The Lost Bus, and The Perfect Storm. All of these dramas or docudramas have actors emoting, writers bringing these characters to life, and they have the tinsel glitter of Hollywood. Not that it makes them bad, but it keeps us just slightly removed. I have only been in three major weather events, two ice storms and the May 2022 Ottawa derecho. The derecho left me without power for two weeks and caused major destruction across Canada's capital. I was inside a Canadian Tire when it rolled through - I came out and the sky was black, tinted with green swirling masses that looked like fish tank algae rolling through the clouds. When I watched this documentary, I could only imagine what I saw and experienced was a small fraction compared to what the people of Joplin, Missouri endured in the summer of 2011. This film focuses on about eight different individuals who were there when this massive tornado hit their town. On the day it hit, it was the Joplin High School graduation for approximately 450 students. Most of those featured were teenagers at the time. A group of three amateur storm chasers. A frozen yogurt employee, Cecil,  who was Christian, gay and still in the closet. He thought the Rapture was coming when the storm hit. This film is raw and riveting. The people interviewed are candid - feels like they are opening a wound when they tell their stories. Makes it very personal. It's as thrilling as any fictional drama or docudrama. In fact, it's better. And scary as hell. Plus it's highly emotional. You will be hard-pressed to find someone with dry eyes at the end of this one. This one blew me away (pun intended). Catch it streaming down on Netflix. 

Mr Inbetween

Scott Ryan is a unicorn. A rare magical creature, singular and dazzling. What a beast he is. Scott Ryan is the creator, writer, and star of the Australian show, Mr Inbetween. The show ran for three seasons from 2018 to 2021. Ryan plays Ray Shoesmith, a bouncer at a strip club, The Playhouse. He is also an independent contract killer. He is divorced and has a daughter, Britt, with whom he shares custody. Ray has a brother, Bruce, who has some sort of undisclosed illness, ALS or something similar. Bruce is played by Nicholas Cassim. I actually looked up to see if Cassim has some sort of disability or disease. He does not. That's how good he is in his role. Ray's sidekick is Gary (Justin Rosniak) who is constantly asking for Ray's help or coming up with silly ways to make money. Gary is comic relief with his golden shower DVDs and his foot fetish sex toys. There is no theme song for the show. It feels stripped down to the barest of bones. At first I thought it was cheap and low budget but I think it's more of a stylist choice. There is a simplicity to the show, all the fluff is stripped away and raw honesty is what is left. The dialogue between Ray and Gary feels like something Tarantino would write, but even more earnest. It feels like a conversation you might actually have with your friend. But let me remind you, this is a show, where the lead is a killer for money. Ray doesn't seem to have any problem inflicting violence on anyone if the price is right. Ray is loyal to a few friends and his family and that's it. The show goes in directions I didn't expect. Sometimes you can see the violence coming, and sometimes you can't. Breaking Bad remains one of my favourite TV crime dramas of all time. Coming in a very close second is, Mr Inbetween. Catch it streaming on Disney+ (of all places) or rent it from Movies 'N Stuff.