Tony

It's kind of like a superhero origin story for Anthony Bourdain, starring that kid from The Holdovers, Dominic Sessa. The opening is a quote from Bourdain himself, and I'm paraphrasing, something like, "When I was young, I was a cocky, pretentious little shit who needed an ass-kicking." It kind of sums up the plot of the film. Bourdain, as the film portrays him, comes from a middle-class American family and is going to college, where he's in the running for a writing scholarship. The Bourdain we see is that cocky kid who believes he is going to be a writer and the world is his oyster - he quickly finds out it's not and those suckers are really hard to open. He chases after a girl (Emilia Jones) to Providence on the East Coast, where he finds himself broke and hungover, taken in by the League of Shadows . . . sorry, that's Batman. . . taken in by the chef (Antonio Banderas) of a local seafood restaurant out of pity. Here Bourdain gets some tough life lessons; this is where he matures. As a teenager, I worked in kitchens, also transitioning from dishwasher to prep cook to line cook before leaving it all behind. I did think about going into the culinary arts. What I know about Tony is that it rings true. Drinking, drugs, and alcohol all seem to play a large part of that world, and everyone smokes (or they used to). All of this, all the characters you find in kitchens are put here on the screen and it's authentic. This is Canadian writer/director Matt Johnson's second feature to come out this year (the first being Nirvanna the Band the Show the Movie). What a great year Matt is having! So go make a reservation at your local theatre - playing at The Mayfair and The ByTowne here in Ottawa or rent it when it's available from Movies 'N Stuff.

Nirvanna the Band the Show the Movie

Matt Johnson is the co-writer, costar, and director of Nirvanna the Band the Show the Movie, a new Canadian comedy film set in Toronto. I thought I had never heard of him, but he is the director of 2023's Blackberry and last year he was the actor in a wonderful little indie romantic comedy Matt and Mara which I loved. You don't need to know anything about Matt or his costar Jay McCarrol to enjoy their new movie. They have been long-time friends and collaborators in real life. They play fictional versions of themselves in Nirvanna the Band the Show the Movie. Matt plays the guy who is always coming up with crazy ways to get themselves noticed, ways to make it big and land a gig at a Toronto club, The Rivoli. Jay is the dutiful friend who follows Matt on his crazy schemes. But 17 years on, the failed chicken-scratched whiteboard plans have grown old and Jay isn't happy - maybe a solo trip to Ottawa is the answer? Without giving anything away, I had a ball with this movie. I watched it at the ByTowne here in Ottawa with a large crowd and they loved it. So did I. Chock-full of Toronto and Canadian references, this is going to be a new maple leaf classic. Get an large RV-sized doze of belly laughs and catch Nirvanna the Band the Show the Movie, at the movies, or rent it at Movies 'N Stuff when available. 

Matt and Mara

This little Canadian film written and directed by Kazik Radwanski is charming, smartly written, and has two wonderful actors giving wonderful performances. Deragh Campbell plays Mara, a young English Professor who is currently teaching a creative writing class in poetry. She is married to a musician, but she herself doesn't really connect with music - it may be a bit of a pebble in the shoe of their marriage, one which, for the most part, with their young child, seems to be going well. Perhaps a tad dry. We arrive at this point when the romance has died down to a low heat and the monotonous business of living and raising a child has kicked in. Along comes Matt (Matt Johnson), former university boyfriend, before Mara's current husband, and he is bringing excitement. Matt has had some literary success. He is a published writer - Mara keeps his book of personally inscribed collection of short stories on her office shelf. They go to a cafe and talk about writing. This leads to a series of encounters and eventually a short road trip. I haven't heard this kind of smartly written, realistic, and nuanced dialogue since Richard Linklater's Before Trilogy. I would love Radwanski to turn this into a trilogy. Anyway, it's short, with a runtime of only an hour twenty, I almost felt like it needed more. Maybe I just wanted more. Like a small piece of dessert.